The blog of Amon Warmann: Film journalist.

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Film Review | The Martian



Having given us movies such as Alien and Gladiator, there is a certain amount of excitement and expectation that typically surrounds a Ridley Scott production. With a recent output that consists of Exodus: Gods and Kings, The Counsellor, and Prometheus, those expectations have not been merited or met. Thankfully the director is back on form with The Martian, a fun and smart sci-fi which will have you laughing more than most comedies.

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Film Review | Macbeth



From Orson Welles in 1948 to Roman Polanski in 1971, William Shakespeare’s Macbeth has undergone many stage and screen adaptations in its 400 year plus history. The latest attempt to translate it to the silver screen comes from Justin Kurzel. It’s only the second feature from the Australian director, but he accomplishes an impressive feat in distinguishing his take from all that has come before it. It’s just unfortunate that much of Shakespeare’s iambic pentameter is undecipherable.

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Interview | Harry Gregson-Williams Talks The Martian


There are few composers working today who are as prolific as Harry Gregson-Williams. A veteran of over 20 years, his impressive career spans television, video games, and films such as the Shrek and The Chronicles of Narnia franchises.

Last August we were invited to the world famous Abbey Road Studios where Gregson-Williams was finishing up his score for The Martian, Ridley Scott’s highly anticipated fall blockbuster. We were lucky enough to see 15 minutes of footage set to his musical cues, with the quickly catchy theme being employed in interesting ways. The finished product is sure to be a memorable addition to both Scott’s filmography and Gregson-Williams’ discography.

Before that aural treat, we had the opportunity to sit down with Gregson-Williams, and during the course of our illuminating tête-à-tête the composer talks about working with the Scott brothers, the process of creating a score, and why working on franchises can be tricky. Have a read below.

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Film Review | 99 Homes

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Michael Shannon and Andrew Garfield make for an unlikely yet compelling duo in Ramin Bahrani’s 99 Homes, a powerful two-hander of a thriller that loses none of its impact despite its heavy-handed nature.

After a tone-setting tracking shot which features the body of an evictee who shot himself during the course of a foreclosure we meet Dennis Nash (Garfield, sans Spidey spandex for the first time since 2010), a construction worker whose trade has been hit hard by the financial crisis. With bills mounting up and no money to pay them with, it’s not long before ruthless real-estate broker Rick Carver (Shannon) is knocking at Nash’s door and evicting him, his Mother (Laura Dern) and his young son (Noah Lomax) out of their home. Desperate to get his family out of their now squalid accommodations, Nash reluctantly accepts an offer to work for the very man who evicted him in the first place.

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Film Review | Maze Runner: The Scorch Trials



Near the end of Maze Runner: The Scorch Trials, the sequel to Wes Ball’s decent YA adaptation The Maze Runner, the main character declares “I’m tired of running”. It’s a telling piece of dialogue that can be applied to this overlong sequel, which is sorely lacking in the necessary character and narrative legwork. It makes for the worst kind of middle chapter; one that you have to watch, but isn’t really all that compelling.

We immediately rejoin Thomas (Dylan O’Brien), Teresa (Kaya Scoledario) and the other Gladers who are now being transported to a remote complex following their escape from the maze. While his compatriots are all too happy with finally having hot showers, a bed, and more provided by the shifty man in charge Janson (Game of Thrones’ Aiden Gillen), Thomas is instantly suspicious of their new surroundings. It isn’t long before his instincts are proved correct, and the film’s best scene sees Thomas and the Gladers escaping the underground facility, emerging into the desolate and unforgiving Scorch.

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Film Review | American Ultra



Things start simply enough in Nima Nourizadeh’s American Ultra as we meet Mike (Jesse Eisenberg), an unmotivated stoner who works at his local cash and carry and lives with the girl of his dreams Phoebe (Kristen Stewart). Their lives are turned upside down when it comes to light that Mike is actually a highly trained sleeper agent created by the CIA, who have just targeted him for termination. To survive against deadly government assassins led by power mad agent Yates (Topher Grace), Mike must put his newly discovered set of skills to good use.

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Film Review | Straight Outta Compton

Straight Outta Compton


When discussing the distinguished pantheon of hip hop greats, it would be impossible not to mention N.W.A. Their 1988 debut album Straight Outta Compton – which features the incendiary anthem ‘F**k tha Police’, a statement track which feels sadly timely given recent stateside events – had an unquantifiable impact on the evolution of hip-hop. As such, you’d be hard pressed to find worthier subjects for the music biopic treatment, and in translating their story to the big screen director F. Gary Gray has produced a fittingly raw and powerful film.

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