I attended I, Tonya’s UK press conference. Read my report for Screen Words here.
I interviewed Evan Narcisse – writer of the Rise of the Black Panther comics – for Sci-Fi Now. Read it here.
I interviewed April Reign for Den of Geek. Read it here.
There are few composers working today who are as prolific as Harry Gregson-Williams. A veteran of over 20 years, his impressive career spans television, video games, and films such as the Shrek and The Chronicles of Narnia franchises.
Last August we were invited to the world famous Abbey Road Studios where Gregson-Williams was finishing up his score for The Martian, Ridley Scott’s highly anticipated fall blockbuster. We were lucky enough to see 15 minutes of footage set to his musical cues, with the quickly catchy theme being employed in interesting ways. The finished product is sure to be a memorable addition to both Scott’s filmography and Gregson-Williams’ discography.
Before that aural treat, we had the opportunity to sit down with Gregson-Williams, and during the course of our illuminating tête-à-tête the composer talks about working with the Scott brothers, the process of creating a score, and why working on franchises can be tricky. Have a read below.
Paper Towns is the second of John Green’s highly popular books to get the silver screen treatment. The first to make the jump to celluloid was the 2014 hit The Fault in Our Stars, in which Nat Wolff played the blind friend to Shailene Woodley and Ansel Elgort’s lead characters. Whereas that was more of a supporting role, Paper Towns sees Wolff graduate to leading man status and his talents are all the better displayed for it.
I took part in a roundtable discussion ahead of the movie’s UK release, and while Green spoke of comparisons to John Hughes, Wolff discussed who he’d like to work with in future and how the Pokémon theme song found its way into the film. It’s all been transcribed for your reading pleasure below.
Though the focus of Ava Duvernay’s Oscar-nominated Selma is rightfully on Martin Luther King, throughout there is a great emphasis on how a collective group can accomplish great change. Just as King was surrounded by a host of great men and women, so to is Selma’s star David Oyelowo aided by a terrific ensemble.
One of its members is Carmen Ejogo, who plays Coretta Scott King for the second time in Selma. Ahead of the film’s home entertainment release, I spoke to the actress about meeting Coretta King, black actresses in Hollywood, and much more.
When I sat down with Maika Monroe at a London hotel earlier last month, it quickly struck me that her demeanour was one I wasn’t used to seeing on her – specifically, she was relaxed.
This isn’t to say that Monroe is never like this of course – by all accounts she’s a charming, laid-back individual – but for the characters she plays in 2014 sleeper hit The Guest and new horror flick It Follows, relaxation is not a feeling that’s expressed too often.