A look through Hans Zimmer’s discography reveals a truly staggering body of work; The Lion King, Gladiator, The Dark Knight trilogy and countless other films have been blessed with his gift of musical storytelling. Now a 30 year veteran of the industry the film composer is still at the top of his game, and on behalf of HeyUGuys I was lucky enough to chat with him ahead of the home entertainment release of the brilliant 12 Years A Slave.
So vast and varied is Zimmer’s catalogue and so excited was I to to speak with him that the 15 minutes I was granted felt like 5. Nonetheless it was a fascinating conversation, and here he speaks about working with Steve McQueen, the challenges when coming up with superhero scores and a special edition re-release of his work on The Lion King. Have a read below.
Freed from the burden of a seen-it-all-before origin story, The Amazing Spider-Man 2 is a marked improvement from its predecessor and gets more right than it does wrong, but it is still unworthy of its title.
After a flashback gives us more details on Peter Parker’s parents (more on that later), the narrative picks up from where the first left off. Peter (Andrew Garfield) and Gwen Stacy (Emma Stone) are very much in love, but Peter is still haunted by the promise he made to Gwen’s Father to stay away from her. Elsewhere, an industrial accident sees Max Dillon (Jamie Foxx) transform into dangerous villain Electro, whilst Peter’s childhood friend Harry Osborn (Dane DeHaan) re-emerges with secrets of his own.
This week, on behalf of HeyUGuys I was invited to a special screening of footage from Marc Webb’s forthcoming superhero sequel The Amazing Spider-Man 2, which included the first 15 minutes in addition to two pivotal scenes. I won’t go into too much detail about what I saw, but here are some of my takeaways from what was revealed. Suffice to say, there’s plenty of reasons to start getting excited.
Director Gore Verbinski’s The Lone Ranger gallops into cinemas this week, delivering lively and enjoyable blockbuster entertainment even if it lacks the freshness and swagger of his Pirates of the Caribbean: Curse of the Black Pearl (2003).
Read my review at Flicks and the City here.
At the beginning of the year, you would be hard pressed to find a ‘most anticipated films of 2012’ list that didn’t feature The Dark Knight Rises. But Batman on film wasn’t always this popular; 1997’s Joel Schumacher directed Batman & Robin is widely regarded as one of the worst comic book movies of all time (and with good reason). Christopher Nolan managed to reinvigorate the franchise with 2005’s Batman Begins. He went one better and set a new benchmark for superhero movies with The Dark Knight in 2008. With The Dark Knight Rises, has Nolan outdone himself again?
Read the rest of this review on Yin & Yang here.