Film Review | Avengers: Age of Ultron
★★★★☆
It would have been easy for Avengers: Age of Ultron – the sequel to Marvel’s franchise mega-hit Avengers Assemble – to rest on its laurels. Thankfully, Avengers 2.0 improves on its predecessor on many fronts even if it doesn’t fully recapture the magic of the 2012 endeavour.
Whereas it took a little while for Avengers Assemble to get going, the opposite is true for the sequel. We begin with a Bond-esque opening skirmish between our heroes and HYDRA cronies that ends with the recovery of Loki’s scepter and a party to remember. But when Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo) attempt to use the power of the scepter to jumpstart a peacekeeping program, the inadvertent result is Ultron (James Spader), a highly intelligent robot hell-bent on human extinction. Making matters worse, Ultron joins forces with powerful Maximoff twins Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen).
Film Trailer | Avengers: Age of Ultron
There is a great disparity between the posters and the trailers for Avengers: Age of Ultron.
In the build-up to today’s big reveal Marvel had released a number of bland and lazy character posters featuring each of our principal heroes in a standard hero pose set against a boring backdrop filled with Ultron drones. There’s also a one-sheet with all the Avengers that’s spent far too many hours in Adobe Photoshop:
Thankfully the trailers for Avengers: Age of Ultron have been anything but bland and lazy, and the third and supposedly (but probably not) final clip that was unveiled earlier today is no different.
Video Review | Begin Again
I reviewed John Carney’s Begin Again for The Reel Deal. Have a watch below.
Film Review | Thanks for Sharing
★★★☆☆
The examination of sex addiction in cinema is becoming more and more frequent. Steve McQueen’s Shame (2012) was a bold exploration of the topic, whilst Joseph Gordon-Levitt’s directorial debut Don Jon (2013) will once again put the subject under the microscope. Directed by The Kids Are All Right scribe Stuart Blumberg, Thanks for Sharing (2012) arguably has the most mainstream appeal of the three. Ultimately, it’s not a film to abstain from, nor is it a film you should be overly eager to indulge in either.
AMONymous 